How affordable digital cameras and editing
equipment are changing the gay porn
industry
Text by Glenn Greenwald
Photography by Joe Oppedisano for HX
Only in his early 20s, Jonathan Dubuque is
already a successful and increasingly prolific porn
producer. What makes Dubuque's success so striking
is that he does not use - and does not even own -
the items that the large XXX studios deem to be
absolutely necessary for producing and marketing
successful gay porn.
Dubuque uses no porn stars, scripts, costumes or
plots; nor does the director instruct guys to act
as the top or the bottom. He does not have teams of
editors to incorporate the latest trendy editing
techniques into his sex scenes, nor does he hire
the large lighting, sound and camera crews who
populate the set of every video made by the large
studios.
What Dubuque does have - and, he will tell you,
all he needs to make great porn - is a couple of
digital video cameras, a set of lights and the
ability to find "real" guys who have never before
done porn and to persuade them to have uninhibited,
wild, unscripted sex while Dubuque films it.
These days, Dubuque's straightforward, no-frills
method of making porn is hardly unusual. To the
contrary, the market for this type of porn is
exploding. Just as reality television programs have
overtaken fictionalized shows, consumers seem to be
yearning for more reality porn like Dubuque's.
As a growing number of people get their hands on
digital cameras and are able to produce a flood of
real sex videos, an entire industry is being
created to provide an outlet for these videos.
One of the earliest and most aggressive
promoters of this porn has been New York-based
StudMall.com, which devotes itself exclusively to
promoting and distributing hard-core, non-studio,
reality porn. "Some people call it amateur porn. We
don't," said Stud Mall founder Jordan Moore. "More
than anything, our porn is 'reality porn.'"
Moore says he created Stud Mall because he was
not finding the videos he wanted. "For me, good
porn is like good sex. Actual sex is hottest when
it's spontaneous, unpredictable, unscripted and
edgy. Sex with another person is boring - even
horrible - when it's routine, predictable and,
worst of all, fake. Exactly the same is true for
sex videos."
Stud Mall now promotes and distributes Dubuque's
videos, along with a growing roster of young porn
producers devoted to keeping porn videos free from
contrived acting, plots, pre-scripted sex and
intrusive production values. The creation of
companies like Stud Mall has now provided a way for
this new breed of porn filmmakers to find their
audience.
From the 1970s onward, virtually all gay porn
was produced by a handful of large porn studios
that monopolized the industry and churned out title
after title featuring recognizable porn stars,
vaguely enacted plots and a handful of obligatory
costumes. But affordable digital cameras and
editing software are clearly - and rapidly -
changing the industry. "What is happening,"" Moore
says, "is nothing less than the democratization of
gay porn. It is changing the entire industry."
Dubuque, who once worked for a large porn
studio, explains that "once I found Stud Mall and
knew that I had a company devoted to the kind of
porn I wanted to make, I was free to make
innovative, unscripted, uninhibited porn and know
that the people who want these types of videos
would be able to find them. That has let me push
the limits more and more as I try to make videos
that have that real edge that I think porn
consumers want."
Moore points out that because the cost to
produce "reality videos is a fraction of the cost
of studio videos, reality porn producers can also
offer very specific fetish videos that are wildly
popular among those devoted to that fetish." He
continues: "The guys who produce videos for us are
genuinely into the sex they are showing, as are the
guys in the videos. They are not acting. They make
these videos because they got hot having that sex,
not because they are being told to act like they're
getting hot. For guys into real, specific fetishes
and sex, that makes all the difference in the
world."
Perhaps the one downside to the consumer is that
so much porn is being produced that it's hard to
differentiate the quality from the garbage. Moore
says that is why he created his company. "I spend
most of my day reviewing videos that are sent to us
by new producers, everyone from students in their
20s to retired pilots in their 50s, wanting us to
distribute their videos. Some of it is awful, most
of it is mediocre, and some of it blows me away.
The stuff that is truly awesome ends up on our
site, and we believe that those videos are going to
change the way porn is viewed, marketed and
consumed."
Judging by the enthusiasm among porn consumers
for this new type of reality porn, the changes
Moore predicts may, in fact, already be occurring.
Give It Your Best Shot
Stud Mall offers Do and Don'ts for Making
Reality Porn
DO find guys who, based on pictures you
show them, are into each other before pairing them
in front of the camera.
DON'T let the guys meet before filming
to "practice" or "test each other" out; let the
initial explosions occur once the filming starts.
DO make the focus of the videos the sex,
sex and sex.
DON'T forget about the sound. If you're
shooting in New York, close your windows!
Nothing is worse than the sound of hot sex being
drowned out by sirens, passing buses and couples
fighting next door.
DO take pictures. They will sell your
video when it's completed. But don't take them
during the shoot.
DON'T dress guys up in plumber costumes,
police uniforms, construction outfits or anything
else worn by the Village People or 10-year-old boys
on Halloween.
DO treat your performers with respect
and pay them fair. It's good karma.
DON'T have bottoms pretend to be tops,
or tops pretend to love being pounded, or guys who
aren't into a certain kind of sex pretend to like
it. Fake sex is the worst, and so are fake sex
videos!